Invitation


#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# INVITATION (Bassline) As recorded by Helloween (From the 1988 Album KEEPER OF THE SEVEN KEYS PT. 2) Transcribed by Asmogriff (erik_alfredsson@hotmail.com) (ComfortablyDumb) Music by Michael Weikath Arranged by Tommy Hansen Gtr I (E A D G) - 'Bass' Gtr II (E A D G B E) - 'Glocken' 00:00 Q=157 4/4 Gtr I Wx6 W H H W W |------------|----------|-----------|----------|------| |------------|-2--------|-1---------|----------|------| |------------|----------|------2----|-4--------|------| |------------|----------|-----------|----------|-4----| 00:27 W H H W +W W |----------|-----------|----------|------------||------| |----------|-2---------|----------|------------||-2----| |-0--------|------4----|-2--------|-(2)--------||------| |----------|-----------|----------|------------||------| H H W W W H H |------1----|-1--------|----------|----------|-6---------| |-4---------|----------|-4--------|----------|------6----| |-----------|----------|----------|-4--------|-----------| |-----------|----------|----------|----------|-----------| 00:39 W +W W H H W |----------|------------||----------|-----------|------| |----------|------------||-2--------|-1---------|------| |-2--------|-(2)--------||----------|------2----|-4----| |----------|------------||----------|-----------|------| W W H H W +W |----------|----------|-----------|----------|--------| |----------|----------|-2---------|----------|--------| |----------|-0--------|------2----|-2--------|-(2)----| |-4--------|----------|-----------|----------|--------| 00:51 Gtr I W |-------------------------------------| |--2----------------------------------| |-------------------------------------| |-------------------------------------| | | Gtr II | |--3--| |--3--| |--3--| |--3--| | E E E E E E E E E E E E |-21-19-16-14-16-19-21-19-16-14-16-19-| |-------------------------------------| |-------------------------------------| |-------------------------------------| |-------------------------------------| |-------------------------------------| H H W |--------------------1----------------|-------------------------------------| |--4----------------------------------|--2----------------------------------| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| | | |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| | E E E E E E E E E E E E E E E E E E E E E E E E |-21-19-16-14-16-19-21-19-16-14-16-19-|-21-19-16-14-16-19-21-19-16-14-16-19-| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| W W |-------------------------------------|-------------------------------------| |--1----------------------------------|-------------------------------------| |-------------------------------------|--4----------------------------------| |-------------------------------------|-------------------------------------| | | |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| | E E E E E E E E E E E E E E E E E E E E E E E E |-21-19-16-14-16-19-21-19-16-14-16-19-|-21-19-16-14-16-19-21-19-16-14-16-19-| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| |-------------------------------------|-------------------------------------| H H W |--------------------1----------------|---------------------------------------| |-------------------------------------|---------------------------------------| |--4----------------------------------|--2------------------------------------| |-------------------------------------|---------------------------------------| | | |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| | E E E E E E E E E E E E E E E E E E E E E E E E |-------------------------------------|-21-19-16-14-16-19-21-19-16-14-16-19---| |-12-12-12-12-12-12-12-12-12-12-12-12-|---------------------------------------| |-------------------------------------|---------------------------------------| |-------------------------------------|---------------------------------------| |-------------------------------------|---------------------------------------| |-------------------------------------|---------------------------------------| 1:03 +W W |--------------------------------------|-------------------------------------| |--------------------------------------|--2----------------------------------| |-(2)----------------------------------|-------------------------------------| |--------------------------------------|-------------------------------------| | | |--3---| |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| |--3--| | E E E E E E E E E E E E E E E E E E E E E E E E |-21--19-16-14-16-19-21-19-16-14-16-19-|-21-19-16-14-16-19-21-19-16-14-16-19-| |--------------------------------------|-------------------------------------| |--------------------------------------|-------------------------------------| |--------------------------------------|-------------------------------------| |--------------------------------------|-------------------------------------| |--------------------------------------|-------------------------------------| +W +W |--------------------------------------|----------------------------------------*| |-(2)----------------------------------|-(2)------------------------------------*| |--------------------------------------|----------------------------------------*| |--------------------------------------|----------------------------------------*| | | > | |--3---| |--3--| |--3--| |--3--| |--3---| |--3--| |--3--| |--3--| | E E E E E E E E E E E E E E E E E E E E E E E E |-21--19-16-14-16-19-21-19-16-14-16-19-|-21--19-16-14-16-19-21-19-16-14-16-19---*| |--------------------------------------|----------------------------------------*| |--------------------------------------|----------------------------------------*| |--------------------------------------|----------------------------------------*| |--------------------------------------|----------------------------------------*| |--------------------------------------|----------------------------------------*| Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) / - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting / - tremolo bar dip; n = amount to dip - tremolo bar down n/ - tremolo bar up /n - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths