Incantation - Golgotha (from Onward to Golgotha, 1992) C Standard tuning (C F A# D# G C) Intro: |------------------------------| |------------------------------| |------------444----------555--| |-6--------------666--333------| |-4--7--6--3-------------------| x 7 |----5--4--1-------------------| |----------------------------------------------------| |----------------------------------------------------| |----------------------------------------------------| |-6--------4--------6--------------------------------| |-4--7--6--2--5--4--4--7--6----3-------4------[5]----| |----5--4-----3--2-----5--4------2--1----3-2---------| |-----------------------------------------------------------------------------| |-----------------------------------------------------------------------------| |-----------------------------------------------------------------------------| |--------------------------7777---------------------------------------7777----| |-------------------------------6666----------------------------6666----------| |-000000-666666----5-3-5-3------------000000-222222--3-2-3-2------------------| |-------------------------------------| |-------------------------------------| |-------------------------------------| |-----------5555------2222-1111-------| |-4444-3333------2222-----------1111--| |-------------------------------------| |--------------------------------------| |--------------------------------------| |--------------------------------------| |-------------------4-3----------------| |------2-3---2tr3---2-1--3-2-----------| |1tr2--0-1---------------1-0-----------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |---[2]----5-6-5-----------[2]----5--6--5-----------| |-2-----3--3-4-3--4-5-4--2-----3--3--4--3--4-5-4----| |-0-----1---------2-3-2--0-----1-----------2-3-2----| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------| |---------666---------------------------------------666------------------------------| |-----555-------222-444-333------444------------555-------222-444-333------444-------|-During solo |-444------------------------333-----333----444------------------------333-----333---| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |---------7777--------------------------------------| - During second solo |-----6666-------2222-4444-3333---------------------| |-5555----------------------------2222-4444-3333----| |--------------------------------------| |--------------------------------------| |--------------------------------------| |-------------------4-3----------------| |------2-3---2tr3---2-1--3-2-----------| |1tr2--0-1---------------1-0-----------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |---[2]----5-6-5-----------[2]----5--6--5-----------| |-2-----3--3-4-3--4-5-4--2-----3--3--4--3--4-5-4----| |-0-----1---------2-3-2--0-----1-----------2-3-2----| After these parts repeat the first, second and third parts accordingly. Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) / - slide into or out of (from/to "nowhere") s - legato slide S - shift slide- natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting / - tremolo bar dip; n = amount to dip - tremolo bar down n/ - tremolo bar up /n - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash